Yique is an artist and curator whose work delves into the relationship between art and ideological power. In today's mechanized aesthetic landscape, they strive to transcend purely visual exploration and extend the aesthetics of art to create a connection with perception and contemplation. Yique's artistic materials serve as a means to convey ambiguous concepts from the realm of language and deepen their relationship and connection to everyday life.

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Yique often describes themselves as a "troublemaker," a critic, and an ironist. At times, they may even be considered a nihilist. Their works can accommodate any medium, and they believe that people's experiences and feelings often begin with absurdity and doubts.

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My research is primarily rooted in classical Marxism and the Frankfurt School, specifically Adorno's theory of art rationality. Yique often asks questions such as, "How do people perceive the meaning of the word? On this journey, they seem to be a lone traveller." One of their favourite quotes is, 'To do something wrong, to make it really strong.'

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Yique's experience in institutional curation has influenced their creative process, often leading them to collaborate with teams. Through various mediums such as performance, film, and social interventions, they aim to explore the absurdity of the post-industrial era and the human condition. Their intention is to expand viewers' perception and reflection of the environment.

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一鹊是一个艺术家和策展人，他的作品通常探讨艺术与权力意识形态的关系，在美学可以复制机械化的当下，他试图从纯视觉化的探究中脱离开来。让艺术的美学延伸到一种对感知和思考的链接。他致力于用艺术的媒材料去传达在语言世界中含混的观念，并深化他们于人们日常生活的关系和连接。


一鹊的研究主要基于古典马克思主义与法兰克福学派（马尔杜塞的艺术理性）。他经常称自己是一个troublie maker，一个批判者和讽刺者，甚至，一个虚无主义者。一鹊总说‘.  不知道大家如何观看意义这个词 ? 在这条路上他似乎一直是一个独行者。’他很喜欢的一句话是‘to do sth wrong ，to make it really strong'

一鹊曾经在机构策展的经历也令他在创作时多以组织团队合作的方式进行，通过不同的媒介，如行为，影像，社会介入的方式，意在玩味后工业化时代环境下的荒诞和人类的生存状态。以此试图拓展观者对环境的感知和反思。

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